PAW 38

I returned to the Rural Life Museum for their Harvest Days festival and quickly visited the old blacksmith’s shop with my fingers crossed that the blacksmith would be there.  Using the Canon 7D with the (inexpensive) 50mm prime at f1.8, ISO 800 and 1/125 second, I got several variations on this theme but liked this one best. 

PAW 37

When I want to try out a new piece of photo equipment or a new technique, I often go to the Rural Life Museum.    I’ve been wanting to re-visit my Canon 50mm f1.8 lens for some time and today seemed a good day for it.  The Canon 50mm is not a great lens but is OK and does offer an out-of-focus background that some like to call “bokeh”.   I walked around for a couple of hours today shooting my 7D only with the Canon 50mm almost always at f1.8.  Of the pictures I took, this is my choice for PAW.  It was taken at ISO 800, f1.8 at 1/30 second in the “schoolhouse” at Rural Life Museum.

Although my first thought was to covert this image to B/W, I prefer this somewhat desaturated version as processed from RAW in ACR because it is more representative of what I was seeing in that dim light.  This version is slightly cropped to 1024x768 screen resolution (as are most of my PAW shots).

7D and LensAlign

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One of the intriguing features of the 7D is that it can be fine-tuned to match individual lenses. This feature is called AF (for Auto Focus) Microadjustment. Of course, the argument can be (and is) made that such adjustment should not be necessary; however, I’m glad that the 7D has this capability. It just makes sense to me that tolerance stack-up can become a problem as various lenses are matched to various cameras.

On the 7D, AF Microadjustment is made through the custom function menu (the next to last menu shown) as C. Fn III-5. The instructions for making this adjustment begin by stating that this adjustment is not normally required – a comforting thought. There are three basic settings: 0) Disable 1) Adjust all by same amount and 2) Adjust by lens. The default setting is Disable. Go a little deeper into that menu and there is an adjustment scale ranging from -20 to + 20; the default is 0. But how does one know the correct setting?

Basically, the AF Microadjustment is made by trial and error: Take a picture, check the focus, make an adjustment, take another picture, etc. The LensAlign devices are handy when making these adjustments.

Along with my 7D, I bought the Canon 50mm f1.8 prime lens. This is an inexpensive lens that has a good reputation; however, I was very disappointed in my copy. I finally realized that it simply was not focusing properly. That’s when I bought the LensAlign Lite system shown above. In fact, the photo shown above is cropped from a shot made with the 50mm at f1.8. (The 50mm is still soft wide open but gets considerably better about f5.6 or so.)

There’s no point in my going through detailed instructions about LensAlign as instructions are readily available from the RawWorkflow site. Suffice it to say that the LensAlign Lite kit consists of a vertical target and an angled scale. After aligning the camera to the target using a mirror, the mirror is removed and a picture taken of the target using single point autofocus. As seen in the photo above, when focused on the target, my 50mm was actually focused in front of the target.

Instead of exactly following instructions, I simply ran the microadjustment range from -20 to + 20 while the camera was mounted on the tripod. I then examined the images on my computer screen using BreezeBrowser which conveniently displays the AF adjustment for each photo.

The photo below was made using the 50mm with a -10 AF adjustment.

and the image below was made with a setting of +20

I finally settled on a +15 adjustment for the 50mm. Other adjustments with my own 7D were:

Canon 85mm f1.8 at +10
Canon 18-55mm at 0
Canon 70-200mm at -5
Canon 100-400mm at 0

I’ve also tested a Canon 28-135mm but can’t quite find the happy place for the adjustment. I’ll probably keep it at 0 and continue to call it “soft”.

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